{"id":776,"date":"2015-08-21T18:50:52","date_gmt":"2015-08-21T22:50:52","guid":{"rendered":"http:\/\/christophertrapani.com\/wordpresssite\/?page_id=776"},"modified":"2020-07-19T08:46:59","modified_gmt":"2020-07-19T12:46:59","slug":"nt-go-any-further","status":"publish","type":"page","link":"http:\/\/christophertrapani.com\/wordpresssite\/nt-go-any-further\/","title":{"rendered":"\u2014N&#8217;T GO ANY FURTHER"},"content":{"rendered":"<div class=\"container\">\n<h3 style=\"text-align: left; padding-left: 30px;\"><span style=\"color: #ffffff;\"><strong>\u2014N&#8217;T GO ANY FURTHER\u00a0(2007)<\/strong><\/span><br \/>\n<span style=\"color: #ffffff;\">for bass\u00a0clarinet, tenor saxophone, violin, viola, and cello [10:45]<\/span><\/h3>\n<hr \/>\n<div style=\"padding-left: 30px; padding-right: 50px;\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><span style=\"color: #ffffff;\"><em>\u2014N\u2019T GO ANY FURTHER<\/em> gets its title from a partially effaced ceramic tile message\u00a0embedded in the concrete sidewalk at the corner of Poland and St. Claude Avenues in New Orleans. The piece deals with borders and boundaries. Its aim is to dispose of the dichotomy between sudden cuts and gradual transformation; every transition between the many small snapshots of music involves both. The piece is best heard as a single continuous and fluid line, bent into various and often unexpected directions. As its title seems to contradict his motto (\u201ccontinuons d\u2019aller plus loin\u201d), the piece is dedicated to Philippe Leroux.<\/span><\/p>\n<p><span style=\"color: #ffffff;\"><a href=\"http:\/\/christophertrapani.com\/wordpresssite\/wp-content\/uploads\/2015\/08\/100_2306.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-921 aligncenter\" src=\"http:\/\/christophertrapani.com\/wordpresssite\/wp-content\/uploads\/2015\/08\/100_2306.jpg\" alt=\"100_2306\" width=\"617\" height=\"88\" srcset=\"http:\/\/christophertrapani.com\/wordpresssite\/wp-content\/uploads\/2015\/08\/100_2306.jpg 2073w, http:\/\/christophertrapani.com\/wordpresssite\/wp-content\/uploads\/2015\/08\/100_2306-300x43.jpg 300w, http:\/\/christophertrapani.com\/wordpresssite\/wp-content\/uploads\/2015\/08\/100_2306-1024x146.jpg 1024w\" sizes=\"auto, (max-width: 617px) 100vw, 617px\" \/><\/a><a href=\"http:\/\/christophertrapani.com\/wordpresssite\/wp-content\/uploads\/2015\/08\/100_2306.jpg\"><br \/>\n<\/a><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u2014N&#8217;T GO ANY FURTHER\u00a0(2007) for bass\u00a0clarinet, tenor saxophone, violin, viola, and cello [10:45] \u2014N\u2019T GO ANY FURTHER gets its title from a partially effaced ceramic tile message\u00a0embedded in the concrete<a class=\"more-link\" href=\"http:\/\/christophertrapani.com\/wordpresssite\/nt-go-any-further\/\">Continue reading <span class=\"screen-reader-text\">&#8220;\u2014N&#8217;T GO ANY FURTHER&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullpostsnoheader.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-776","page","type-page","status-publish","hentry","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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