{"id":504,"date":"2015-08-01T09:52:47","date_gmt":"2015-08-01T13:52:47","guid":{"rendered":"http:\/\/christophertrapani.com\/wordpresssite\/?page_id=504"},"modified":"2015-08-27T07:37:54","modified_gmt":"2015-08-27T11:37:54","slug":"sing-into-my-mouth","status":"publish","type":"page","link":"http:\/\/christophertrapani.com\/wordpresssite\/sing-into-my-mouth\/","title":{"rendered":"Sing Into My Mouth"},"content":{"rendered":"<div class=\"container\">\n<h3 style=\"padding-left: 30px; text-align: left;\"><span style=\"color: #ffffff;\"><strong>Sing Into My Mouth\u00a0(2005)<\/strong><\/span><br \/>\n<span style=\"color: #ffffff;\">for eighteen\u00a0players (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, 4 violins, 2 violas, 2 cellos, 2 basses) [6:00]<\/span><\/h3>\n<hr \/>\n<div style=\"float: right; margin-left: 11px; margin-right: 20px; margin-bottom: 20px; text-align: left;\"><iframe loading=\"lazy\" width=\"360\" height=\"240\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fsoundcloud.com%2Fchristophertrapani%2Fsing-into-my-mouth&auto_play=false&hide_related=false&visual=false&show_comments=true&show_user=true&show_reposts=false&color=ff5500\"><\/iframe><\/div>\n<p style=\"text-align: left; padding-left: 30px;\"><span style=\"color: #ffffff;\"><i>Sing Into My Mouth<\/i> is an invocation, a prayer to the muse for a sliver of inspiration, in the spirit of Apollonaire&#8217;s couplet:<\/span><\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><em><span style=\"color: #ffffff;\">J&#8217;ai soif villes d&#8217;Europe de la France et du monde.<\/span><\/em><\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><em><span style=\"color: #ffffff;\">Venez toutes couler dans ma gorge profonde.<\/span><\/em><\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><span style=\"color: #ffffff;\">From a dry and distant opening, a duet emerges: a two-voice invention in microtonal counterpoint between the E-flat clarinet and the alto flute. This short phrase becomes the springboard for allusive transformation, resurfacing continuously in various stylistic guises: horn chart hits, Monteverdian cantus firmus writing, jazz call and response patterns&#8230; The piece proceeds at a restrained, measured pace, with occasional frantic outbursts from the winds and brass, while the strings provide mainly harmonic support, forming major chords and spectra primarily from open strings and harmonics. The percussion grounds the ensemble with a ticking ostinato, interrupted by occasional inspired outbursts of its own.<\/span><\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><span style=\"color: #ffffff;\">The players are seated in a symmetrical formation, with the strings on the left side in standard tuning and those on the right retuned a quarter-tone. The alto flute and B-flat clarinet are also tuned a quarter-tone lower, and the trombonist and horn player both double on wood block.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sing Into My Mouth\u00a0(2005) for eighteen\u00a0players (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, 4 violins, 2 violas, 2 cellos, 2 basses) [6:00] Sing Into My Mouth is an invocation,<a class=\"more-link\" href=\"http:\/\/christophertrapani.com\/wordpresssite\/sing-into-my-mouth\/\">Continue reading <span class=\"screen-reader-text\">&#8220;Sing Into My Mouth&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"page-fullwidth-noheader.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-504","page","type-page","status-publish","hentry","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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