{"id":383,"date":"2015-07-29T17:19:41","date_gmt":"2015-07-29T21:19:41","guid":{"rendered":"http:\/\/christophertrapani.com\/wordpresssite\/?page_id=383"},"modified":"2025-09-29T02:47:47","modified_gmt":"2025-09-29T06:47:47","slug":"press","status":"publish","type":"page","link":"http:\/\/christophertrapani.com\/wordpresssite\/press\/","title":{"rendered":"PRESS"},"content":{"rendered":"\r\n

PRESS<\/span><\/strong><\/h3>\r\n

\u2014 CD reviews of\u00a0Noise Uprising<\/em> at Gramophone<\/a>, An Earful<\/a>, and Bandcamp<\/a>.<\/p>\r\n

\u2014<\/span>\u00a0Waterlines<\/i> CD reviews by Paul Griffiths<\/a> and by Liam Cagney for Gramophone<\/a>.<\/span><\/p>\r\n

\u2014<\/span>\u00a0Interview<\/a> with the IRCAM Forum.<\/span><\/p>\r\n

\u2014<\/span>\u00a0“Trapani\u2019s musical islands are joined in Spektral Quartet program” \u2014 Review of the premiere of Isolario, Book II<\/i> at Chicago Classical Review<\/a><\/span><\/p>\r\n

\u2014<\/span>\u00a0Waterlines<\/i> on Best of 2018 lists at at Sequenza 21<\/a>, An Earful<\/a>, and 5 Against 4<\/a>.<\/span><\/p>\r\n

\u2014<\/span>\u00a0Review of Polychrome<\/a><\/i> and Shotgun Shoegaze<\/a><\/i> from 5 Against 4.<\/span><\/p>\r\n

\u2014<\/span>\u00a0Waterlines at Chicago Symphony’s MusicNOW: Interview<\/a>,\u00a0review<\/a><\/span><\/p>\r\n

\u2014<\/span>\u00a0Rome Prize announcements at New Music Box<\/a> and Columbia University<\/a>.<\/span><\/p>\r\n

\u2014<\/span>\u00a0The Meandering Geometry of Sound<\/a>: A studio visit at Schloss Solitude<\/span><\/p>\r\n

\u2014 Reviews of\u00a0Rust and Stardust\u00a0<\/em>in<\/span> The Scotsman<\/a>,<\/span> The Guardian<\/a>, and<\/span> The Herald Scotland<\/a><\/p>\r\n

\u2014<\/span> Interview<\/a>\u00a0with Radio France, Spinning in Infinity\u00a0<\/em>premiere\u00a0[in French]<\/span><\/p>\r\n

\u2014 Review of\u00a0Waterlines\u00a0<\/em>in<\/span> The New York Times<\/a><\/p>\r\n

\u2014 Reviews of\u00a0Visions and Revisions<\/em>\u00a0in<\/span> The Guardian<\/a>,<\/span> The Financial Times<\/a>,<\/span> Classical Source<\/a>, and<\/span> The Sunday Times<\/a><\/p>\r\n

\u2014<\/span> What Are Those Crazy Sounds In The New Classical Music? And How Does One Write Them Down?<\/a> Nicholas Danforth in The Awl<\/span><\/p>\r\n

\u2014The back story to\u00a0Waterlines<\/em>: Interviews with\u00a0Talea Ensemble<\/a>\u00a0and American Composers Forum<\/a><\/span><\/p>\r\n

\u2014 Talking just intonation<\/a> with Ekmeles<\/span><\/p>\r\n

\u2014 American Composers Forum feature<\/a> on\u00a0Waterlines<\/em><\/span><\/p>\r\n

\u2014 Review of\u00a0Westering\u00a0<\/em>in<\/span> The New York Times<\/a><\/p>\r\n

\u2014\u00a0New Music Box <\/a>on\u00a0the 2007 Gaudeamus \u00a0Prize<\/span><\/p>\r\n

<\/span><\/p>","protected":false},"excerpt":{"rendered":"

PRESS \u2014 CD reviews of\u00a0Noise Uprising at Gramophone, An Earful, and Bandcamp. \u2014\u00a0Waterlines CD reviews by Paul Griffiths and by Liam Cagney for Gramophone. \u2014\u00a0Interview with the IRCAM Forum. \u2014\u00a0“Trapani\u2019sContinue reading “PRESS”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-383","page","type-page","status-publish","hentry","entry"],"yoast_head":"\nPRESS - CHRISTOPHER TRAPANI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/christophertrapani.com\/wordpresssite\/press\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PRESS - CHRISTOPHER TRAPANI\" \/>\n<meta property=\"og:description\" content=\"PRESS \u2014 CD reviews of\u00a0Noise Uprising at Gramophone, An Earful, and Bandcamp. \u2014\u00a0Waterlines CD reviews by Paul Griffiths and by Liam Cagney for Gramophone. \u2014\u00a0Interview with the IRCAM Forum. \u2014\u00a0“Trapani\u2019sContinue reading "PRESS"\" \/>\n<meta property=\"og:url\" content=\"http:\/\/christophertrapani.com\/wordpresssite\/press\/\" \/>\n<meta property=\"og:site_name\" content=\"CHRISTOPHER TRAPANI\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-29T06:47:47+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/christophertrapani.com\/wordpresssite\/press\/\",\"url\":\"http:\/\/christophertrapani.com\/wordpresssite\/press\/\",\"name\":\"PRESS - 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