{"id":1890,"date":"2017-11-13T12:00:07","date_gmt":"2017-11-13T17:00:07","guid":{"rendered":"http:\/\/christophertrapani.com\/wordpresssite\/?page_id=1890"},"modified":"2024-11-02T15:21:06","modified_gmt":"2024-11-02T19:21:06","slug":"discography","status":"publish","type":"page","link":"http:\/\/christophertrapani.com\/wordpresssite\/discography\/","title":{"rendered":"DISCOGRAPHY"},"content":{"rendered":"

DISCOGRAPHY<\/b><\/span><\/h2>\n


\n\"\"<\/a>Noise Uprising<\/span><\/strong><\/h2>\n

Double CD featuring Sophia Burgos, Sofia Jernberg, Zwerm, and Christopher Trapani<\/span><\/h3>\n

 
\nNew World Records, 2024<\/span><\/p>\n

 <\/p>\n

<\/p>\n


\n\"\"<\/a>American Lament<\/span><\/strong><\/h2>\n

vinyl, performances by Tom Pauwels and Liesa van Der Aa<\/span><\/h3>\n

 <\/p>\n

Sub Rosa, 2024<\/span><\/p>\n

 <\/p>\n


\n\"\"<\/a>Horizontal Drift<\/span><\/strong><\/h2>\n

Portrait CD with performances by Maximilian Haft, Daniel Lippel, Amy Advocat, Marilyn Nonken, and Marco Fusi<\/span><\/h3>\n

 
\nNew Focus Recordings, 2022<\/span><\/p>\n

 <\/p>\n


\n\"\"<\/a>Waterlines<\/span><\/strong><\/h2>\n

ICTUS Ensemble with Christie Finn, Liesa Van der Aa, Tom Pauwels, and Georges-\u00c9lie Octors<\/span><\/h3>\n

 <\/p>\n

ICTUS, 2020<\/span><\/p>\n

 <\/p>\n


\n\"\"<\/a>Waterlines<\/span><\/strong><\/h2>\n

Portrait CD with performances by Talea Ensemble, Lucy Dhegrae, Longleash, JACK Quartet, Marilyn Nonken, Didem Ba\u015far, and Christopher Trapani<\/span><\/h3>\n

 <\/p>\n

New Focus Recordings, 2018<\/span><\/p>\n

 <\/p>\n


\n\"\"<\/a>A Howl, That Was Also A Prayer<\/span><\/strong><\/h2>\n

Ekmeles<\/span><\/h3>\n

 <\/p>\n

New Focus Recordings, 2020<\/span><\/p>\n

 <\/p>\n

features End Words<\/em><\/a><\/span><\/p>\n

 <\/p>\n

\"\"<\/a>Passage<\/span><\/strong><\/h2>\n

Longleash<\/span><\/h3>\n

 <\/p>\n

New Focus Recordings, 2017<\/span>
\n <\/p>\n

 <\/p>\n

features Passing Through, Staying Put<\/em><\/a><\/span><\/p>\n

 <\/p>\n

\"\"<\/a><\/h2>\n

Give My Regards to 116th Street<\/strong><\/span><\/h2>\n

Kobe Van Cauwenberghe<\/span><\/h3>\n

 <\/p>\n

Carrier Records, 2014<\/span><\/p>\n

 <\/p>\n

features Really Coming Down<\/i><\/a><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a><\/h2>\n

Microtonal Music for 2 Guitars<\/strong><\/span><\/h2>\n

Oh Mensch<\/span><\/h3>\n

 <\/p>\n

Seminal Records, 2017<\/span><\/p>\n

 <\/p>\n

features Alcohol and Algebra<\/i><\/a><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>Currents, Volume 1<\/b><\/span><\/h2>\n

Yarn\/Wire<\/span><\/h3>\n

 <\/p>\n

Y\/W, 2015<\/span><\/p>\n

 <\/p>\n

features Writing Against Time<\/i><\/a><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>American Choral Music for Male Chorus<\/b><\/span><\/h2>\n

Harvard Glee Club<\/span><\/h3>\n

Jameson Marvin, conductor<\/span><\/h3>\n

Albany Records, 2007<\/span><\/p>\n

 <\/p>\n

features The sea is awash with roses<\/i><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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